How Orientalist Art Serves as a Colonial Method of Control: Representations of Muslim Women in Ingres’ La Grande Odalisque (1814)
Written By Colin Parker Griffiths Edited By Hannah MacDonald Introduction During the nineteenth century, a significant trend among male European artists was the creation of Orientalist paintings. This catalog of paintings greatly contributed to the European social imagination of the “East,” and worked to cultivate a shared perception of Islamic regimes as exotic and inferior. Orientalist art was thus used to manipulate the Western consciousness … Continue reading How Orientalist Art Serves as a Colonial Method of Control: Representations of Muslim Women in Ingres’ La Grande Odalisque (1814)
